That One Video

So I'm watching Obscurus Lupa's 30 Genre Films that DON'T Suck, and she mentions that one of the films on her list, Little Monsters, was her favorite as a kid and the one that she rented all the time from the video store.  Which got me to thinking about how my sisters and I also had a video that we rented more than any other when we were kids.  Actually, come to think of it, there were two.  We took Yellow Submarine out from the library as often as we could, until their copy got lost, or stolen, and they never bothered to replace it (still!).  But what I really meant to write about here was the video we rented from the video store: Unico in the Island of Magic.

In case you don't know, and when we were kids, my sisters and I certainly didn't, Unico was a character created by Osamu Tezuka, a unicorn who brought happiness to people, and for this was banished by the gods. But the West Wind took pity on him and kept moving him from place to place, trying to keep him hidden from the gods.  Unico in the Island of Magic was actually the second movie based on the Unico manga, and follows Unico after the West Wind places him on an island which turns out to be ruled by an evil puppet named Lord Kuruku.  He makes friends with a girl named Cherie whose older brother works for Kuruku in hopes of keeping his family safe from being turned into living puppet people that Kuruku uses to build up his castle walls.  But this doesn't work, as Toby and Cherie's parents are turned into puppets, and so Unico and Cherie travel to the ends of the earth to find out how to stop Kuruku.  There's all kinds of crazy stuff and great characters, so it's no wonder my sisters and I loved it so much.  I should rewatch it sometime.  It's on YouTube, after all.
What videos do you remember renting all the time?  I asked my husband, but he can't think of any specific examples.

The odangos remain the same

It seems Ojamajo Doremi may be making a comeback.  According to Moetron, a new light novel is coming out titled "Ojamajo Doremi 16" that shows the girls as high schoolers, presumably (as the title indicates) at age 16.  An anime is most likely coming, but I'm mostly curious about how they're going to pick the storyline up again, considering how the last series ended.

Surprise Crochet!

I was flipping through a volume of Peach Girl, a manga I read years ago, and was pleasantly surprised to find Momo, the main character, crocheting a cellphone holder for her boyfriend (read right to left):

The translation says "knit," but the same verb is used for knitting and crochet in Japan (it also means "to braid"), so I'm chalking this one up to the translator not knowing what crochet is.  Probably an accurate assumption.  I can't tell you how many times I've had people ask me what I'm knitting, even if I've already told them that I don't knit.

I checked out the anime (which I didn't bother to do when it first came out) to see if this made it into the animated adaptation (since it seriously condenses the story), and it did!

Both the fansubs and the Funimation translation use "knit," which kinda proves my point.  People see yarn and a stick and instantly think "knitting."  But it's a little more irksome in the anime, since it shows Momo's pattern book, which clearly has "how to crochet" instructions...

...and shows her chaining in action:

(Wish I'd thought to make an animated gif before sending back the disc).
The finished product:

 While working on getting the images for this post, I ran into another instance of crochet in an unlikely place.  I was watching The Big Picture, the first film directed by Christopher Guest (whom I like due to his improv movies, i.e. A Mighty Wind), and in a scene towards the end, the main character's agent (played by Martin Short) is crocheting away his stress:

That's one big granny square.
Truth be told, I was a little more surprised to find crochet in an American movie from the 80's than in an manga/anime from the late 90's/early 2000's.  Crochet is very popular in Japan, and is the namesake for amigurumi, crocheted stuffed animals.  In fact, why haven't I seen more crochet in anime?  Granted, I did most of my anime watching before I got into crochet, so it could be that, like the translators for Peach Girl, I saw it and just didn't recognize it for what it was.

Good News for Me (and others, of course)

Funimation picked up the next batch of Sgt. Frog (aka Keroro Gunsou) episodes ^_^ I've been meaning to talk about this anime for a little while, though it's only fairly recently that I got into it.  I first learned of this series thanks to an online anime magazine known as Anime Fringe (no longer updating, but the back issues are still available), and their review of the manga made it sound interesting, so I made a note to check it out if it ever came to the States.  Strangely enough, when Tokyopop started bringing out the manga, I didn't bother to check it out, though I don't remember exactly why.  Probably just a case of "too much manga, too little time/money."
It wasn't until ADV announced that they had licensed the anime that the series got back on my radar, and even so, it was a couple of years before it actually got released by Funimation, with the first year's worth of episodes split into two seasons on four two-DVD sets.  And it was another year before I finally got around to watching it.  I still have no real interest in checking out the manga, despite quite liking the anime, mostly because what sold me on the anime was the English dub.  Now, usually when I watch anime on DVD, I stick to the original Japanese audio track, only watching the dub if I'm taking screenshots (which is why sub-only releases bug me.  I like to take screenshots).  And it probably would have been the same for Sgt. Frog, but I vaguely remembered a preview episode that Funimation put up on Youtube for the sole purpose of getting feedback on the dub, so I decided to check out one of the episodes (episode two, to be exact).  Which was how I learned that rather than do a straightforward dub, Funimation had opted for a gag dub, complete with gag subtitles, that I often found funnier than the original Japanese, even if it was often times a lot meaner, too.
And that's why I'm glad to hear that Funimation has licensed the third season.  Sure, I would probably have no trouble finding the original Japanese episodes somewhere online, but for me, Sgt. Frog without the dub is hardly Sgt. Frog at all.

And while I'm talking about this, I find it a little jarring to see Saburo with white-grey hair...

 ...when I'm used to him with blue hair, like he had in his cameo in Shichinin no Nana (aka Seven of Seven), which aired before the Sgt. Frog anime.

EDIT: I have only just noticed that he went from blue haired with grey eyes to grey haired with blue eyes.  Hm...

Ponyo Theme Song in English

This one is short and sweet (I guess). Unlike most of their Studio Ghibli releases, Disney dubbed the end theme of Ponyo, most likely because the voices of the main characters were provided by the younger siblings of Disney Pop Stars. However, they only did half of it, leaving the other half as a remixed version. A full version of the remix was also released, which annoyed fans of the original song, mostly because the original song is a huge earworm, but also because the remix is full of autotuning. I find it kind of interesting, though, that the remix version is slightly more true to the original's Japanese lyrics than the English lyrics written for the first half. Yes, it's true, "Munch and munch, kiss and hug" is from the original ("Paaku paku chuugyu"), though not exactly how it's sung in the remix. Of course, there's plenty in the remix that's not remotely like the original ("You can clap your hands, clap your fins," comes to mind).

Also, how lame is it that even on the DVD, Disney doesn't provide subtitles for the opening song? I mean, I understand not doing that for the theatrical release, but on the DVD? C'mon, people!

Update: I've been thinking about it, and I feel like going into the translation of the movie credits version vs. the remix version. Now, make no bones about it, the credits version does a good job of translating the first verse in the spirit of the song, but after that, what's being sung has little to do with what original Japanese. Take the chorus. In Japanese, it's

ponyo ponyo ponyo sakana no ko

aoi umi kara yatte kita

ponyo ponyo ponyo fukuranda

manmaru onaka no onna no ko

Roughly translated, that's "Ponyo (x3), a little fish, came from the blue ocean. Ponyo (x3) got bigger, a girl with a perfectly round stomach."

The credits version gets about half of that, making it "Ponyo (x3), fishy in the sea, tiny little fishy, who could you really be? Ponyo (x3), magic sets you free. Oh, she's a little girl with a round tummy." (And in the second time around, the last line is "Oh pretty little miss, will you swim back to me?") While the remix version has "Ponyo (x3), tiny little fish, she's a little fish from the deep blue sea. Ponyo (x3), she's a little girl. She's a little girl with a round tummy." Not so bad, perhaps, but the bridge of the song (which IMO is the most earwormy) goes:

ano ko to haneru to kokoro mo odoru yo

Paaku paku CHUGGYU! paaku paku CHUGGYU!

ano ko ga daisuki makkakka no

Which roughly translates to "When I skip with that girl, my heart also dances. (*sound of eating* *sound of kiss and hug* x2) I love that girl, so bright red." The credits version starts out okay with "My feet are skipping, my heart, too. Happy, happy are we all," but then throws out the rest: "Maybe I might love you, maybe I might love you. So hold on tight and hold me close. You're my hero!" The remix version, meanwhile, goes "And when I'm skipping with her, my heart does a dance. Munch and munch, kiss and hug, munch and munch kiss and hug! Oh, he's my favorite little boy. Rosy rosy, red red!" which is much closer to the actual lyrics.

So there you have it. Although the remix loses points for the bridge being nearly unrecognizable musically (as in, I didn't realize that was the bridge until I put together the "munch and munch" with "paaku paku." Once I knew what to listen for, I could hear it). And, as I mentioned before, it does throw in some parts that have nothing to do with the original song at all, so I'm not saying that the remix should replace the original, just that people shouldn't give it such a hard time, y'know?

AMV: Ponyo's on a Boat

Though the DVD for Ponyo isn't coming out until next month, here's an AMV using footage from the film set to the song "I'm on a Boat" by The Lonely Island. Be warned, there is liberal use (like, every other line) of the F-word.

Ponyo is on a Boat - watch more funny videos

While I'm at it, also check out the Yu-Gi-Oh Abridged parody, "I'm on a Blimp." And for good measure, here's the video for the original song.

Midafternoon Video - I Made Another AMV

I'm at it again, although this time my AMV is an actual Anime Music Video, using Wandaba Style and a song from Phineas and Ferb. Wandaba Style follows the Teen Genius Susumu Tsukumo, who is trying to launch a rocket into space using eco-friendly methods, with a group of Idol Singers as his pilots. I first watched it back in 2005 when it was released in the states, but I recently bought it on sale at a convention, with the thought that I might make an AMV. This wasn't the one I had in mind, but it fit so well that I did it anyway.

In the course of rewatching the series, I ended up making a page for it on TVTropes.

Nerima Daikon Brothers meets Phineas and Ferb?

I'm currently rewatching Nerima Daikon Brothers, and because I've been watching so much Phineas and Ferb lately (which is a really good show, btw, and you should all check it out), my brain keeps trying to match up the characters. I mean, in a general sense, Phineas would be Hideki, since they're both the instigators of their groups, Ferb would be Ichiro, the quieter, more laid-back one, and Candace would be Mako, mostly because they're both girls, but they are similar personality-wise. And of course Perry would be Pandaikon, which means that Major Monogram would be The Rental Guy, but since that's a Nabeshin cameo, Carl would be a better fit, just because of the hair similarity.

And part of me wants Doofenshmirtz to be Ichiro because I've been spending too much time in the DxP part of the fandom (but they're the most active part!), and Ichiro has his own song about how he feels about the panda (which, in the dub, includes the lines "They say you're an animal/But I say you're a mammal just like me"). But on the other hand, he could also be Yukika, who also falls for the panda, and since she's a gadget detective, that role probably fits him better anyway, except for the fact that she's a policewoman, which is two strikes for him (that is, since he's a card-carrying villain and a man) but that's really par for the course for him, when you think about it.

But going back to Nerima Daikon Brothers, it's been a favorite of mine for a while. I rented it when it first came out, but I only recently got around to buying it (hence the rewatching). It's only twelve episodes long, so one could possibly watch the entire thing in a day, although I'm not doing that. The series follows Hideki, Ichiro, and their cousin Mako as they fight to right the wrongs occurring in Nerima, with the not-exactly-altruistic motive of claiming the evil-doers' money so they can build a dome in their daikon field and give concerts. But what sets this anime apart from the rest is the fact that it is a musical. That's right, every episode features a number of songs, most of them less than a minute (also, the character designs are done by the same guy who did the character designs for Space Pirate Mito, although under a pseudonym). The whole show also spoofs and satires aspects of Japanese life as well as various celebrities (including a No Celebrities Were Harmed version of Michael Jackson), so if you do check it out, make sure to get the DVDs released by ADV, which includes liner notes and on-screen ADVidnotes explaining most of the references. On top of that, unlike for most animes, the dub includes translated versions of the songs, most of which fit the spirit of the song, even if they don't exactly match lyrically. Keep in mind, however, a lot of the humor on the show is of an ecchi (that is, slightly perverted) nature. Nothing explicit, but if that kind of thing isn't your cup of tea, then consider yourself forewarned.

As the name of the series implies, there's a certain amount of inspiration pulled from the movie The Blues Brothers. However, since I've never seen that, here's a mashup of the movie's trailer with footage from the anime:

Late Night Video - Space Pirate Mito meets Spaceballs

I first saw this AMV years ago, but considering my recent rewatching of Space Pirate Mito (and my upcoming blogging of the second season), I figured this would be a good one to post:

Best Student Council Volume 5

Don't know if you remember the post I made a while back about Best Student Council, but the jist of it was that it's a fun little series, but I'm not in a hurry to watch it.  So it was only a couple of days ago that I got the next volume since that last post, but the very first episode on the disc opened with a scene that reminded me why I keep watching it.  You see, part of the concept of Best Student Council is that the main character, Rino Rando, has a puppet that has a life of its own, although it still needs a hand.  And in this episode, another character finds a similar puppet:

The series is at its best when it focuses on the silly/absurd things like this and not when it tries to put the focus on the characters' mysterious/tragic pasts (and seriously, everyone on the student council has some kind of tragedy that lead the president to inviting them to her school).  However, in this volume, the episodes got much better at blending the mysteries with the humor (for instance, this episode has plenty of puppet antics, but also hints at just what is up with Pucchan and Leon, seen above, and blatantly talks about how Rino's got some kind of powers, maybe related to the puppets?), making the backstory parts more palatable at least.

A Voice Acting Fact Finding Mission

In trying to find out whether or not the Maryoku Yummy series is actually airing anywhere, I saw that a new episode had been posted on AGPbrands.com. And not just any new episode, but a Formatted Episode. That is, instead of just being one of the two 11 minute stories that make up an episode, this one is both stories with bit of filler in the middle *and* the closing credits. Which is very good for me, since I could finally see the list of voice actors. As per usual, the cast is listed without any acknowledgement of who plays who, but I have a few guesses:

Shannon Chan-Kent - Maryoku

Scott McNeil - Shika

Maryke Hendrikse - Ooka

And I was right that Chiara Zanni is in it, thus she must be Hadagi. I based a few of my guesses on watching clips of other things they've done, to pinpoint the voice actor if they hadn't done anything I recognized, which was kind of funny when I was watching Death Note clips of Misa, trying to see if the voice sounded closer to Maryoku or someone else.

Looking up the VAs, I noticed that a few of them were in the same titles over and over again, which means that most of them are in the Ocean Group dubbing company (they do a lot of Viz-related dubs). I also noticed that some of them were in the dub of Powerpuff Girls Z, which surprised me because as far as I'd heard, it hadn't come out over here yet. When it came out in Japan, I watched about the first twelve or so episodes and then just read Moetron for any more info I wanted, since their posts were usually more interesting than watching the series. And it was Moetron that gave me the info I wanted to know: apparently, the dubbed episodes haven't been shown in the states yet, but have aired in Australia and the Philippines. But the real reason I'm bringing this up is because they linked to some clips that have been put up on Youtube, including a clip with the Gangreen Gang, and when I was watching it, I very nearly said "Ace is Ikura!" outloud. And sure enough, it was Andrew Francis. Also, Mark Oliver (Grizzle's VA) is Him:

One more thing. While pinning down whether or not Maryke Hendrikse was a close enough match for Ooka, I watched a little bit of Barbie and the Diamond Castle, mostly the part where her character gives the backstory on the villain of the movie, Lydia, an evil ex-muse who trapped two others, and I saw something that just made no sense to me. You see, in the flashback we see the three of them before Lydia turned evil, but while the other two are wearing simple tunics, Lydia is already decked out in her villainwear. I mean, normally you'd think a muse that turned evil would have an Evil Costume Switch, not be Obviously Evil from the get-go (and to be fair, her flute does get an evil makeover), especially when the other two seem to have some kind of muse dress code going on. Unless this was a gradual thing...first, she traded in her flower headband for thorns to hold her bun, then she started playing death metal songs on her flute, and then came the outfit. All the clues were there, but the other muses refused to see the truth about what was happening to their friend until it was too late. Either that, or since it was Melody's flashback, she just remembers it happening that way ("All the muses were nice, except for Lydia, who was evil. Evil, I tells ya!").

Space Pirate Mito Revisited - Final Thoughts

Yeah, I meant to get this written up and posted a couple of weeks ago, but better late than never, I suppose.  After blasting through the series and then not quite blasting through editing all the screencaps I took (more than I meant to, but worth it), the seeds of what I wanted to say here were sown, but I just kept putting it off.  And there are definitely things I want to talk about, so here goes.

I have to admit, I'm very glad that I went back and rewatched Space Pirate Mito.  It turns out I'd forgotten way more than I actually remembered, like Mito getting captured, the whole 'everyone's memory got erased' thing, not to mention I incorrectly remembered Ranban's backstory happening in one episode, not two (or three, depending on how you look at it).  I'd also forgotten how quickly the whole series moves.  I mean, yeah, it's only 13 episodes, so they don't really have time to sit around, but still.

Now, you should know by now that I'm a VA wonk, so trust me when I tell you that both the original Japanese and the English dub have great casts.  For one thing, Mito is voiced by Tomoko Kawakami, best known for her role as Utena.  Aoi is voiced by Souichiro Hoshi, who has had a good number of roles (including Oojirou in Angelic Layer), but is best known to me as Matsutake from Mirumo de Pon! (and thus I was much more amused than I should have been).  There are plenty of recognizable roles for almost everyone in the cast, but I'm not going to list them all here, except to point out that Mutsuki's voice actress was also Martina from Slayers Next, and Masatsuki is voiced by Yumiko Kobayashi, who went on to voice Poemi in Puni Puni Poemi! and Zucchini (a very similar role to Masatsuki) in Magical Play (which, by the way, has character designs by Kiyohiko Azuma, of Azumanga Daioh and Yostuba&! fame).

As for the dub, while not perfect by a long shot, it still manages to be enjoyable.  In particular, Lisa Ortiz does some of her best work as Mail-Suited Ranban, in my opinion, and does a fine interpretation of Mito in and out of the mail suit.  And I enjoyed Michelle Newman as Masatsuki (called Matsuki in the dub), although I'm not quite sure why she started delivering her lines like William Shatner after the first few episodes.  The dub script takes some a lot of liberties with the script, but often for the better.  As I mentioned before, I only really understood what happened in episode eight when the dub explained it, and Ranban's dialogue is much better in the dub.Not to mention the added joke that occurs because Kaizou-kun is called Mr. Roboto (since in the Japanese version, Masatsuki always says, "Arigatou, Kaizou-kun!" after it transforms, the dub took the opportunity to make a "Domo Arigato, Mr. Roboto" joke).  However, there are a few strange changes: the mail suits are referred to as exo suits, and the seal became the key.  Granted, neither really changes the story, but they do kind of stand out, whereas I didn't notice a lot of the differences in the dialogue without watching the dub with the subtitles on.

One last thing: not too many people know about this series is (very) loosely based on the stories of Mito Komon, who was an actual person back in the 1600's.  His name was Tokugawa Mitsukuni, and he was the Chunagon (also called Komon), a kind of lord in a feudal system, of the Mito province.  He was popular enough that eventually a play was written about him called Mito Mitsukuni Man'yuki.  There were more versions, but the most well-known is a live action TV series that aired in 1969, where a couple of injokes for the anime originate.  For example, in episode two, Mito introduces Sabu and Shin by their full names, Sukesaburou and Kakunoshin, which are the names of Mitsukuni's two retainers (shortened in the show to Suke-san and Kaku-san).  And the whole bit about Aoi being the seal comes from the seal that Mitsukuni carried, which he used to reveal his identity towards the end of each episode.  Also, Kagerou is the name of a ninja who was popular enough to get his own spinoff series.

All in all, Space Pirate Mito is a very enjoyable series.  I don't really do justice to the kinda of show it is in my summaries (I left out most of the jokes, for one thing), so please, check it out for yourself. 

Space Pirate Mito Revisited - Disc Four

Episode Eleven - Fear and Power/Osore to Chikara!

The battle continues to rage as Ranban's troops try to break through the Royal Army's barrier.  Ranban takes charge of the search for Aoi himself, and sends Mutsuki back to the Dainagon for doing exactly what her father did before her: not arresting an important criminal when he had the chance.  Meanwhile, repairs continue on the Chunagon, but it's going to be a while before it's ready to fly.  Despite everyone (and I mean everyone) piling on top of her, Mito dons her mail suit to out and look for Aoi.

As she waits for her punishment, Mutsuki thinks back to when she was just a little girl (and Masatuski was a baby), and the time she spent with her dad, when he told her that his job was protecting the galaxy's harmony.  She hopes Aoi will be safe, but that's not a given with Ranban's forces on the loose.  It's a wonder Aoi was able to stay hidden while unconscious (from the blast he produced in the previous episode).  In order to get back to his mom, he climbs the side of a cliff, which fortunately for him gives him a direct view of the shielded Chunagon being fired at.  Realizing he can't get close to the ship, he falls off the cliff, and only an opportune tree branch keeps him from falling into the Galactic Patrol's clutches.  Somehow he finds a cave to take shelter in and ruminate on how he can't really do anything except make blasts that knock him unconscious, when suddenly, his mother appears!  Aoi gives her a hug, but realizes just a little too late that it's unhelmeted Ranban, and not Mito (man, those identical mail suits!).  Ranban kisses him on the lips, sending Aoi to sleep (it's not elaborated on, but I'm guessing there was some kind of tranquilizing lipstick involved).  As rehelmeted Ranban takes Aoi into his transport ship, Masatsuki begs him to be lenient on his sister.  Ranban promises nothing, but as he turns to leave, Sabu leaps into action!  Her attack is a ruse, however, to let Shin sneak up on Ranban and Masatsuki.  Ranban, however, has enough power to actually send her flying, and on top of that, actually harm her (and Masatsuki).  While his enemies are down, he takes off in the transport ship posthaste, leaving Masatsuki behind.  Mito arrives just in time to grab onto the ship and sneak onto the Dainagon that way.

Aoi's classmates have also been captured, and Mutsuki is the one to bring them their food.  Although she dons the official Galactic Patrol mask to keep from being recognized, they recognize her voice anyway.  And when an ill-timed mushroom pops her mask off, Kafuko does some quick styling, making Mutsuki's hair just like it was in her human disguise.  But even though her secret is out, she can't go against the Galactic Patrol and help them, and when her friends push her too hard about Aoi, she runs off without even changing the freeze-dried students (and Miss Okubo) back to normal.  As she leaves, she sees the ground troops have returned and asks about Aoi.  They tell her that he was captured, and she feels better knowing he's safe, until she notices that Masatsuki wasn't with the rest of the troops.

Aoi wakes up in a circular room, and is immediately engulfed in flames, making him relive that flashback we all know and love.  It's actually an experiment, and although the flames aren't real, they're extremely lifelike.  Ranban has the scientists raise the level, and Aoi emits enough power to endanger the ship.  Regardless, Ranban has the experiment continue.  Eventually, Aoi destroys the room and the controls for the experiment, and passes out.  Ranban concludes that he has found the true seal at last.  

Unconscious, Aoi sits in a white plane, remembering things (only one memory is new footage) and feeling sorry for himself.  He is approached by the shadow of his father, and the two embrace.  Meanwhile, Mutsuki tries to get someone to help her find Masatsuki, but protocol keeps everyone at their post.  During her search, Ranban has Aoi, still unconscious, wheeled to another room.  She approaches Ranban, but is slapped away by one of the guards.  Ranban says nothing, and Mutsuki heads off with determination.  At the same time, the Galactic Patrol issues an ultimatum to Mito on the Chunagon, unaware that it's actually a shape-shifted Shin, and unaware that Masatsuki has been taken into the Chunagon's custody.  The real Mito, to get further on the Dainagon, leaves her mail suit behind as a decoy.

Alone, Ranban exhults to the not-actually-there Mito that he now has taken everything from her: the galaxy, the seal, the royal sword, and even her son, whom he is keeping naked in his private quarters.  To further enjoy the moment, Ranban desuits and then rages against the mirror and Mito, claiming she could never understand the curse he lives under, hating himself but still being forced to live (by whom?).  He's just about to kill Aoi to spite Mito when the pirate herself arrives.

Episode Twelve - Our Seal/Waga Inrou!

Mito and Ranban banter for a few moments, then Mito runs to Aoi's naked body, only to find that it was just a hologram, a trap set by Ranban.  He starts getting philosophical on Mito, commenting on how they are mirror images of each other (um, not really), as are their lives.  And then he flashes back to his 10,000th birthday, when it was revealed that he is neither man nor woman (but had been claiming to be male), and thus he was imprisoned, went insane, and staged a coup d'etat by blowing up his home planet.  Mito was away at the time, so she survived, and was happy to let Ranban rule as long as he was a fair ruler, but if not, she vowed to go pirate on his ass.  As the flashback ends, Ranban reveals that he has the true seal this time around.

Back on the Chunagon, repairs are slowly but surely being completed.  Carson finishes the repairs to bridge, but is told to avoid the engines, since his species can't take the heat, so to speak.  Masatsuki, nearby for some reason, laughs at Carson's apparent uselessness.  It looks like Carson's going to silence Masatsuki for good, but he instead frees him and tells him how to escape.  Masatsuki can't go without knowing why a rebel would help a Galactic Patrolman, so Conrad tells him about how Masatsuki's father saved his life.  He was once on the Galactic Patrol, but defected and was labeled a pirate.  Trapped in the pull of a black hole, he was rescued by Colonel Nenga.  Masatsuki realizes that this was the incident that disgraced his family's name, but rather than be upset about it, he's overjoyed that his father honored his convictions over his duties as a patrolman, and starts helping out with repairs to the ship.

Mutsuki finally reaches her determined destination, and frees her former classmates so they can help her save Aoi.  They crawl through the ducts to the real room where Aoi is being held (still naked), and crash through the ceiling, with most of the girls landing on Aoi.  Kafuko is bewildered by Aoi's apparent girl parts, and another girl who isn't named is bewildered by his lack of man parts.  The boys cover Aoi with a sheet, but don't seem to notice (or keep quiet about it if they do).  Their crash landing did not go unnoticed, but there are too many of them to escape without help.  They need to contact the pirates!

In the dreamscape, Aoi gets a pep talk from his dad, who keeps emphasizing that Aoi needs to save Mito, not the other way around.  Then he disappears, and Aoi wakes up, to the relief of all his friends.  Now fully dressed (and apparently not caring or not aware of his sudden boobs), he leads the charge through the Dainagon, executing karate moves that he didn't even know he knew.  As they race to the communication room, Aoi feels another shock like he did before, but stronger than before.  

The Chunagon is finally ready to get back in action, and leaves the protective shield, wiping out all immediate enemy forces.  Aoi is able to contact them, and Masatsuki and Mutsuki are reunited, kind of.  To help Aoi, Sobo uses her royal command to merge the Chunagon with the Dainagon, and the crew rushes in to do whatever they can to help their cause.  Sabu and Shin neutralize the troops going after Aoi and the others, and Masatsuki and Mutsuki are reunited for real this time.  Although faced with the safety of the Chunagon, Aoi goes back into the fray, and Mutsuki follows after him.  The other boys are prepared to fight, but Miss Okubo stops them.

Mito and Ranban have been fighting all this time, saber to saber, but Ranban uses his helmeted suit to detain Mito while he enters his mail suit.  It looks like Ranban has the advantage, but he slashes through a wall that leads Mito directly to her own mail suit, evening the odds.  Ranban still believes he has the advantage because, being neither male nor female, he has powers Mito does not, and even in six months, the wound in her shoulder hasn't completely healed.  He manages to knock Mito out of her mail suit, just as Aoi finally makes it to them.

Episode Thirteen: Seize the Happy Ending!/Ryakudatsuse yo. Daidanen! (Let's Pillage.  Grand Finale!)

Mito's crew do as much damage to the Dainagon as they possibly can, and manage to bring down the forcefield around the town.  But while all that was going on, the Galactic Patrol's enormous Galactic Cannon was approaching, and now it's set its sights on Earth!  Meanwhile, Aoi grabs Mito's light saber to fight Ranban, but gets another shock.  Ranban, however, doesn't plan on killing Aoi, since Aoi himself is the seal, the switch that powers the royal sword.  But that doesn't mean, he won't play with Aoi a little, and slaps him around with the light saber, all while boasting about how Aoi is powerless without his bracelet, an enhancer that brings out his powers.  Despite hearing this, Aoi goes forth to protect his mother, and emits a blast of energy so powerful that it blows him and Ranban straight through to the top of the ship, without the bracelet.  Ranban can't fathom how this could be, but Mito sets him straight: the enhancer was really a limiter, and now Aoi's powers have been unleashed unchecked!  

Ranban proceeds to lose it, slowly advancing on Aoi while spouting nonsequiters about being left behind and the mirror looking at him.  He and Aoi fight for real, with Mito's crew cheering Aoi on from the top of the ship, and his classmates doing the same from the Chunagon.  Aoi slices off one of the mail suit's arms and begs Ranban to just surrender already.  But by then the Galactic Cannon is lined up with the Dainagon, and Ranban teleports away.  He shoots a beam directly at Japan, surrounding everyone with a dark light.  A second beam starts powering up, and if no one stops it, Earth will be destroyed!  

Sabu takes off with Mito and Aoi, and Sobo guides them to the launching pad for the royal sword.  Once there, Aoi is flung into the system and suspended in the air while the starting sequence boots up.  Mito tosses him the bracelet, but when he puts it on, he gets another shock.  Ranban fires, and Mito activates the sword, but it doesn't work, due to Aoi's sex not being determined.  Sobo explains to Aoi's classmates how their species doesn't become male or female until they become adults, and Shin figures that up until then, Kagerou's genes dominated, so Aoi was male.  Sobo suspects foul play on Ranban's part, but that's neither here nor there, as Aoi has to become a definite gender or the Earth will be destroyed.  Mito tries to get his hormones flowing by making out with him, but since she's a. his mom and b. looks like a little kid, it doesn't work.  But Mutsuki might be able to do it...

With the beam from the Space Cannon drawing ever closer, Mutsuki kisses Aoi ever so gently on the lips and the controls suddenly spring to life!  The Dainagon transforms into a giant sword, and a model sword appears in front of Aoi that he uses to control the Dainagon like Mito controlled the Chunagon a few episodes ago.  He slices the cannon completely in half, and it explodes just like that.  The Dainagon goes back to being a ship, and Aoi falls as his bracelet breaks.  In the dreamscape again, he finds himself in his house, and his father thanks him for protecting Mito.  He bids his father farewell.

Meanwhile, Mito's crew hastily carries the unconscious Aoi to the Chunagon.  Mito explains to Mutsuki that she made Aoi the switch for the royal sword so Ranban wouldn't kill him if he ever captured him.  She knew that Aoi's powers would activate some day, because her genes would dominate eventually, and gave Kagerou the bracelet to give to Aoi if anything happened to him.  But when Kagerou knew his end was coming, he gave it to Aoi early, telling him it was an amulet.  During this exposition, they reach the Chunagon, and Mito takes over as captain.  The Chunagon disengages from the Dainagon, which sinks into the ocean.  Aoi wakes up, and Mito embraces her son, a touching scene that leaves no dry eye on the Chunagon.

Later, all the freeze-dried humans are turned back to normal, and any survivors of the space cannon are rescued by the Royal Army.  This includes Ranban, who asks to be killed, now that his grand plan has been destroyed.  He excuses himself by saying he just wanted to get back what he lost: status, the galaxy, and Mito.  Masatsuki steps up to the plate for Ranban, begging Mito to spare his life because he was a good leader.  But Mito never planned to kill him, so it's all good.  There's still just one matter to be cleared up, and Aoi's classmates take it on themselves to clear it up: Aoi is indeed a female now.  Mito doesn't care whether she has a daughter or son, and Mutsuki is okay with shoujo-ai, but the rest of his classmates are not so cavalier about it, and Aoi  is definitely not okay with it.

Regardless, Aoi is crowned Queen of the Galaxy, mainly because Mito didn't want to do it.  Ranban drives off with most of the Galactic Patrol to points unknown, and Aoi follows his lead and takes off on his own in the Shonagon to try and find his missing manhood.  Mito has Mutsuki and Masatsuki take charge as they follow after him, and the series proper draws to a close.

Space Pirate Mito Revisted - Disc Three

Episode Eight - Broken Hearts Aplenty/Yaburareta Kokoro (A Heart Smashed to Pieces)

Picking up where the last episode left off, Ranban congratulates Aoi on having enough guts to touch him/her (I'm going to keep refering to him as a him, for simplicity's sake), but reassures him that he is merely wearing a mail suit, and his true form, just like Mito's, is beneath the surface.  Seeing Ranban's mail suit, Aoi suddenly remembers the rest of the flashback he had last time: his mother trying to open the hatch to get away from the flame, his toddler self crying, and Mail Suit Ranban appearing from nowhere.  Ranban goes on to explain that the mail suit is modeled after the first Queen of the Galaxy, and all members of the royal family wear them.  Aoi is thoroughly confused: if his mom is royalty, why is she also a pirate?  Speaking of Mito, she opens up communication with Ranban, and agrees to come quietly.  Her crew tries to say their farewells, but Mito assures them she'll be back soon.  

While Mito is escorted to the bridge, Mutsuki tries to get to Aoi.  Barred from the elevator, she finds a ladder and climbs, all the while wondering what Aoi's true intentions were the other day.  On the bridge, Mito and Ranban exchange "pleasantries" before getting down to business: Mito will give Ranban the amulet once he lets Aoi go.  Reunited, Mito asks Aoi for the bracelet he wears, and Aoi once again guesses that it's the seal, although Mito still doesn't give him a straight answer.  As he takes it off, he feels a strange kind of shock run down his spine, but he gives the bracelet to his mother regardless.  Before Ranban can take it, Mutsuki arrives, still trying to get to Aoi on the bridge, despite being captured by the guards.  Mito takes the interruption as a chance to kick some action, and her ridiculous ribbons become electified, shocking most of the guards in the room.  Shin, who bypassed the sensors due to being synthetic, manages to surround the rest, leaving Mito free to target Ranban directly.

Ranban easily swats away the ribbons, but then Mito's glasses start emitting a high-power fire beam that Ranban still manages to evade.  In the ensuing fracas, Mutsuki gets knocked down, and though Aoi runs to her, Masatsuki gets to her first and warns Aoi to keep away.  The room is suddenly filled with warning bells and signs on the screens, and Mito tosses the bracelet back to Aoi.  She and Ranban continue their fight, and soon it looks like Ranban has the upperhand, which he claims is because he has the strongest of the royal family's mail suits, and without a suit, Mito has no hope of defeating him.  But just as Ranban's about to strike the finishing blow, his light saber merely slashes through Mito's ribbons, as she managed to manuever herself into the air and behind him, the perfect location to activate the suit's glitch.

As the glitch takes hold, Ranban's light saber falls in front of Aoi, and he remembers even more of the firey flashback: Ranban and Mito fighting suit to suit while he cried in the background, a chunk of the ceiling falling, Mito suddenly suitless, and him crawling on suitless Mito, begging her to give back his mom.  Back in the present, he watches the deja vu-y fight between Ranban and Mito (guess the glitch doesn't last as long in a stronger suit), and picks up the light saber.  With a mighty yell, he powers it up (holy phallic imagery, Batman!), and strikes a blow in the name of his mother...that hits Mito.  She falls to the ground with a smile on her face.

Stunned by what he's done, Aoi is powerless to stop Ranban from just walking up to him and taking the bracelet off of his arm.  While Ranban crows, Mito uses what little strength she has left to reach the controls in her glasses, powering up the Shonagon (the ship she took to the Dainagon) and striking a blow from the inside, the signal for the Chunagon to start firing.  The ship extends a sword-like protuberance and prepares to ram the Dainagon, which is in a chaos Ranban tries to contain.  

While all that is going on, Aoi kneels beside his mother, still prostrate on the floor, and is finally able to call her Mom.  She's just glad he's fine, and as the Shonagon approaches the bridge, Shin and Aoi prop Mito up and take her to it.  Ranban catches them just in time, and Mito's pure rage for Ranban getting her son mixed up in all this gives her a second wind, granting her the energy to leap at Ranban, knock the light saber from his hand, and knock him to the ground.   The two royals grapple with each other, and Mito yells for Shin to get herself and Aoi out of there.  More guards arrive, and Ranban shakes Mito off, but Shin and Aoi are able to get away.  Aoi, just like his mother, immediately wants to go back, and it's only a quick slap to the back of the neck from Shin that keeps him from commandering the controls.  

Shin drops Aoi on the beach back on Earth, then goes back to the Chunagon to report what all happened on the Dainagon.  Sobo finally gives us the backstory on Aoi's flashback: when he was four, Mito took him to space so he could meet his grandmother, but Ranban captured them instead, and that repressed memory was why he had such a hard time accepting Mito's true form (the dub further elaborates that this memory is why he shot his mother, an action he would have taken when he was younger if he had the chance).  The Dainagon retreats, but not before shining a bright light on the entire town that erased all memories of any aliens from the entire town.  Aoi, still on the beach, suddenly sees the entire series so far flash before his eyes, before falling over.  The Chunagon follows after the Dainagon, while everyone left on Earth wonders what they were just doing.

In her quarters, Mutsuki sits, depressed, and can't even muster a shred of enthusiasm for Masatsuki, who has become a member of the Elite Forces.  Ranban, rehelmeted, watches Mito suspended in a tube of liquid (what are those things called, anyway?).  Back on Earth. life is going on as it usually is.  On his way to school, Aoi notices his bracelet is gone, but as he wonders what he did with it, he hears the voice of his father call out to him...

Episode Nine: Ranban and Mito!/Ranban to Mito!

Masatsuki narrates the official order from Ranban to eliminate the memories of all aliens from (stupid) humans, and his own farewell to the plan, but goes too far and narrates the episode title (which is usually silent).  Six months have passed since that climactic battle.  Aoi often dreams of his mother and father leaving him, and feels that his dad is trying to tell him something through these dreams.

At the Galactic Patrol Headquarters, Ranban takes some time outside of his mail suit, only to be caught suitless by a servant, whom he sends down a hole through the floor, before suiting up, both in the mail suit and his cloak and helmet, once again.  Meanwhile, Mutsuki has quit the Galactic Patrol and spends her days playing happy homemaker while Masatsuki is away on missions.  Lately, he's started to question Ranban's tactics to maintain his rule at any cost, but he keeps his doubts to himself.

Mito has been imprisoned all this time, and on this particular day Ranban pays her a visit, trying to get her to reminisce with him.  It seems that when they were young, they promised to rule together (considering that Mito is over 12,000 years old, and Ranban is likely close to that as well, how long ago was this, anyway?).  Ranban also goes on about how their royal blood has special stuff in it which gives them unlimited power, but Mito writes this off as just meaning they can marry anyone (and by 'marry,' I'm pretty sure she means 'mate with').  Ranban wonders what would have happened if they had been united (and by this, does he also mean mated? I never picked up on that before), but it's all moot since he was barred from being in line for the throne (and Mito was told he simply disappeared), and forbidden to reach maturity(they talk about this more in a later episode, but I still don't quite understand what happened), so eventually he took over by force.  Out of the blue, he offers to let Mito see her son, and even assembles the special forces to take them to Earth.

Meanwhile, Sobo, who has been captain of the Chunagon in Mito's absence, meets with the leaders of two factions of the old Royal Army, who inform her of the huge fortress Ranban has been building.  They pledge their allegiance to Mito and join the crusade against Ranban.  With that in mind, the Chunagon follows the Dainagon to Earth.  Ranban allows Mito to go to the surface without any hindrances, but warns her not to try and escape.  She immediately finds Aoi, but it's obvious he doesn't remember her.  Once Aoi and his friends leave, Ranban teleports down to rub Mito's face in the fact that her son will grow old and die long before she does, and point out that she already lost her husband.  This touches Mito, and it seems she will tell him the the truth about the Amulet (the bracelet wasn't it).  Before anything happens, the Chunagon attacks and Shin arrives to take Mito back to the ship.  Mito is not pleased to see that the Royal Army was brought in, but as her mom points out, what choice did they have?  Mito immediately takes charge and sends Sabu and Shin to go get Aoi.  While they're off, Mito manipulates a hand-held model of the Chunagon to attack the Galactic Patrol's forces with the real ship.

The appearance of the spacecrafts jogs everyone's memories of what happened six months ago, although Aoi, having more to remember than anyone else, has a bit of a breakdown as the memories come flooding back.  The town gets it a lot worse in this battle than it did in the last one, believe you me.  Ranban, thinking back to the last episode, has an idea and calls for Masatsuki.  He reinstates Mutsuki and orders the two of them to capture Aoi for him once again.

Episode Ten: Disaster Revisted/Wazawai Futatabi (Calamity Once Again)

The battle between the Galactic Patrol and Mito's forces rages on into the night, and Ranban, for reasons of his own, seals off the battlefield, including the town below, with a forcefield shield.  This done, a huge Kaizou-kun is sent down to Earth, creating a mecha from everything it landed on top of, all as part of the special forces' search for Aoi.  Masatsuki leads the troops on the ground, and Mutsuki awaits her battilion's deployment with trepidation.

With most of the city unsafe, Aoi, among others, is holed up in the school, still reeling from his earlier mental breakdown.  Without warning, he runs to the roof and calls for his mother, even leaping into the air to get to her...only to land on top of his concerned classmates.  But Aoi isn't the only starting to lose it.  Masatsuki goes a little crazy as the build up from his previous missions starts to take its toll, specifically when he realizes the similarity of the frightened Earthlings watching him comb the town to the other aliens that got turned into instant noodles (the Galactic Patrol's preferred method of capture) during an earlier mission.  The strain is finally too much for him, leading him to shoot things randomly while chanting, "Justice!"  Reaching the school, he demands Aoi give himself up, and begins spouting 'facts' about him, only half of which are true (at one point, he seems to have mixed Aoi up with a gremlin), but he includes that fact that Aoi shot his mother and then ran off, which hits Aoi hard.  His friends demand the truth, but Aoi can only sputter, "it's true," leading them to think everything was true, until Aoi spits out the actual true fact and then runs off.  As a show of solidarity, his classmates offer to help him get out without being captured, and thanks to some quick thinking on their teacher's part (she made masks of Aoi's face for everyone), he (and a few others) are able to make it to the street.  Unfortunately, most of the Aoi-lookalikes were turned into noodles, although Masatsuki, still ranting wildly, assures them that they'll turn back to normal with hot water.

Kafuko leads them to a shortcut that leads to her storeroom of cosplay props, but her two cronies were sacrificed along the way.  An announcement goes out to Aoi: give himself up, or the town will be destroyed!  Masatsuki continues to terrorize the school, and Miss Okubo (Aoi's teacher) girds her loins to go and distract the troops and protect the students, using her crazy ninjas skills.  But despite everyone's efforts to get him out of there, Aoi can't let the town be destroyed and gives himself up.  Fortunately, this gets the Chunagon's attention, too, and Mito keeps him from being captured.  She tells him to keep running, since as long as Aoi is in the town, Ranban won't destroy it completely.  Miss Okubo joins him, and they all continue to run.  

Ranban orders all his ships to attack the Chunagon, but the faction of the Royal Army lead by the chicken arrives and gives a big "Who do you think she is?  This is Galactic Princess Mito!" speech, embarrassing Mito quite a bit.  Apparently, the princess bit is news to a lot of Ranban's troops, and he tries to play it off like a trick, urging his troops to keep attacking.  On the ground, Miss Okubo turns on their pursuers with her crazy Teacher Lecture skills, giving the kids more time to run.  Meanwhile, the Chunagon is hit and heads nosedown into the ground.  The Royal Army factions set up a protective shield in the shape of the royal seal that is able to repel Ranban's attack.

On the run, Aoi and the others find Mutsuki, who pulls out her guns and starts reading Aoi his rights.  He calls her by (last) name, surprising the other students, although they do recognize her once Aoi says it.  This, plus the arrival of a fully insane Masatsuki (boasting of 'how many' Aois he's captured, thanks to the masks), remove any shred of resolve to do her duty that she had, and she flies off.  No matter, though, since a host of troops arrive with Masatsuki and surround Aoi and the others.  But one trooper turns on the others, shocking them enough that they don't fire back.  It was Shin all along, and Sabu is not far behind.  While Sabu takes on Masatsuki, Shin gives Aoi back the bracelet.  Masatsuki uses a normal Kaizou-kun to make a mecha from a fallen trooper's gun, and Aoi calls upon his hidden powers to destroy it.  The blast is so powerful that only Sabu and Shin remain conscious, and Aoi is nowhere to be seen.

Bonus episode: The Peaceful Days of the People of Mito

A mini-story.  Mito is challenged by the pirate "too villainous for TV," Masakado.  Mito's cook prepares a salad to celebrate her inevitable victory, made from himself (he's a vegetable alien), and Carson, the rose-loving crew member, gets trampled by everyone else.  Back on Earth, Aoi teaches traditional Japanese dance, but he'd rather be teaching karate.  Miss Okubo hears on the radio that the horse she bet on won, but celebrates a little too close to the principal.  He lets her get away with it...if she buys lunch for everyone.  And Kafuko and her cronies spend the night working on cosplay, though she admits only to herself that it's to get Aoi's attention.

Mito defeats the challenger, as always, so Sabu throws Masakado over the side, where she is picked up (and nearly eaten) by some kind of space eel.  Aoi eats dinner and notices that tomorrow is the day his mom is coming home.  Mito sets a course for Earth, and the caption reads "To be continued in the first episode."

Space Pirate Mito Revisited - Disc Two

Episode Five - Cupid Strikes Twice/Naresome de hohosome? (Love Starts with a Blush?)

Picking up with the last scene of the previous episode, Mito tells Aoi about how she made a forced landing on Earth (mainly because humans are an endangered species, so the Galactic Patrol wouldn't be able to go after her directly) twenty years ago.  There she met a young man (Kagerou) who had fallen off a cliff and took him home in exchange for all his electronics, which she turned into a primitive transmitter that immediately broke.  Fortunately, Kagerou had some old vacuum tubes, and those did the trick.  Now, all she had to do was wait for her ship to pick her up.

Which took months.  As summer turned to fall and fall to winter, Mito finally lost it and went off on Kagerou about his "friend to the Earth" nature that went directly against her pirate nature.  Now, in all the time she'd been there, he never asked her to explain herself, and even after her outburst he continued to let her live in his house, no questions asked.  With Kagerou, Mito felt safe for the first time in ages, and so as winter turned to spring and the flowers blossomed, so did their love.  On the night of the Firefly Festival, Kagerou took Mito to a secret place to watch the fireflies, but before the sunset, her servo system malfunctioned, and he had to take her home.  The strain was too much for his already-weak system, and he came down with a disease.  Mito took off her mail-suit so she could use what was left of its power to operate on him, revealing her true self in front of him.  But being Kagerou, he didn't mind.

Finally, one day, Mito's ship arrived to get her.  At first, Mito hesitated to leave, but Kagerou gave her a plant to remember him by and sent her on her way.  But the plant worked too well, and she came back to his secret spot, where they watched the fireflies together.

Inspired by her own story, Mito sends Aoi to go after Mutsuki, but she's already left the first aid tent.  But she hasn't gone far, and Aoi invites her back to the festival.  Mito can't resist following, of course, and Masatsuki tries to contact his sister, unaware that she lost her headset/headband.  So he goes after Mito himself, using a clock-inspired mecha this time around.  It even manages to deflect Sabu's missiles, but Shin transforms into a leopard, and Masatsuki's catphobia causes him to accidently defeat himself.

Aoi takes Mutsuki to his father's secret spot, and they share a tender moment, as the night comes to an end.

Episode Six - Love Gone Astray?/Hagureru Koigokoro?

Masatsuki's crunched the numbers, and the most likely reason their plans have failed is that Mito's son is the brains behind his mother's operation.  But Mutsuki just can't believe that Aoi is a spy.  Despite Masatsuki's conviction that Aoi is just trying to fool her, she can't get him out of her mind, so much so that she doesn't even notice the new crop of mushrooms sprouting from her hair (why doesn't Masatsuki ever have this problem?).

A new day dawns with Mito and Aoi saying their respects at the household shrine for Kagerou before rushing off to school without their lunches.  Masatsuki helps Mutsuki get ready for school, as they reaffirm their familial bonds ("All we have is each other," Mutsuki says).  Still, he can't help teasing her a little about her feelings for Aoi, although he does it to remind her not to forget about her duty.

Aoi and Mito seem to be hitting it off all right, as they banter on their way to school, now with Sobo (who brought their lunches) in tow.  But Mito notices a disturbance, a teleportation ripple, and sends Aoi off while she stays behind to investigate.  Hiding in the bushes, she sees Mutsuki in her school disguise, followed by Masatsuki, who gives her a pep talk to keep her resolve up.  Mutsuki and Aoi walk to school, but her thoughts are still in a muddle.  It's obvious to the other girls at school what she's thinking about, and they push her to just admit it already.  Mutsuki is thrown for a loop when she realizes that she does indeed like Aoi, but she just can't admit it, even to herself.  Meanwhile, Mito alerts her mother to what she saw and has her keep Mutsuki under constant surveillance.  Sobo, though, is convinced that Mutsuki's feelings for Aoi are real and not a trick, as Mito thinks.

Resident rich girl Kafuko, having heard that Mutsuki like Aoi, questions her on what it is that attracts Aoi to her, and lists off a litany of Aoi's faults.  Mutsuki calls Kafuko out on her own attraction to Aoi, but Kafuko rebuts her by saying that she cannot possibly like him, due to her station.  Realizing that she and Kafuko are alike, Mutsuki feels a little better.  Little does she know that Mito was able to find the Nengas' cloaked ship, and is about to blow it out of the sky while no one is at home.  Masatsuki, out shopping, is alerted to Mito's plan thanks to a sensor disguised as a hercules beetle, but in his haste to get back, he whams into a pole, and thus sends a train car mecha on autopilot to defend the ship.

The mecha attacks Mito from a distance, making her retaliation shots mostly miss the mark, although a direct hit is not enough to slow this mecha down.  While Mito's distracted, Masatsuki sneaks onto the ship and gets out of there, but Mito just follows him in her smaller ship, the Shonagon.  He calls his sister for help, and as she's currently trying to avoid getting splashed by her classmates in the pool, she eagerly gets out of there.  Again, her mind is muddled: is Aoi really a spy, like her brother said?  

Speaking of Aoi, she catches him rinsing off and gets doused by the water, causing her aqua coating to start smoking.  Although it was an accident, Mutsuki thinks Aoi sprayed her intentionally, knowing that water is toxic to her, and slaps him in front of their classmates and runs off.  Berating herself for her stupidity, she lands in the train car mecha and takes out her frustration on Mito and the others (as they say, Hell knows no fury like a woman scorned), all while yelling out how much she hates Aoi.  Mito is bewildered by this, but Sobo knows what's going on.  

Back at the school, Aoi's classmates urge him to follow after Mutsuki (not aware that she took to the air), and even Kafuko and his teacher step up to the plate to get him off school grounds and back in Mutsuki's arms.  He follows the direction of the explosions that the whole town is talking about and tries to get the two factions to stop fighting by shouting at their ships.  Mito merely tells him not to be an idiot, since the girl he likes is the enemy.  While he tries to convince his mom to let him talk to Mutsuki, Masatsuki fires a shot at Aoi, and Mutsuki takes the brunt of it in the train car mecha, ejecting away and into the ship.  No one is happy with this turn of events, least of all Mutsuki, as she orders her brother to finally report Mito's presence on Earth to headquarters, telling herself that it's the right thing to do.

Episode Seven - Courting Disaster!/Manekareta Saiyaku! (Invited Disaster!)

With the location of Mito's whereabouts confirmed, the Galactic Patrol wastes no time showing up, nor do they bother cloaking their ships.  Ranban personally congratulates the Nengas, and Masatsuki pitches his 'take Aoi hostage to get Mito' plan.  In private, Mutsuki is still smarting from Aoi's apparent betrayal, and Masatsuki leaves her, in disgust, in their quarters.

Seeing the Galactic Patrol's arrival, Mito tries to go out and find Aoi, who hasn't come home since the previous day, but Sabu once again (on Sobo's recommendation) exploits the mail suit's glitch, and goes out to find Aoi herself.  Before the glitch wears off, Shin and Sobo transport themselves and Mito back to her main ship, the Chunagon.  Awake again, Mito takes charge and orders the crew to prepare to take on the Galactic Patrol, and after getting a talking to from her mother, takes her place at the helm.  They reach Earth and open fire on Ranban's ship, the Dainagon, but nothing changes.  Mito realizes that the Galactic Patrol plans to hold the town hostage until they get Aoi and the seal, and laughs out loud, finally feeling like her old, pirate, self again.

While Sabu is searching for Aoi, Aoi is trying to get back home, only to run into...Mutsuki?  She holds him tight and tells him that nothing will stand in the way of their love, only for them to be blown apart by the force of an explosion behind them.  The gig is nearly up when a cat shows up, chasing Mutsuki.  Tired of the game, she sprays Aoi and the cat, who both fall over unconscious.  She flies Aoi to her ship, but not before Sabu sees them.  She latches onto the ship, but Mutsuki fires at her, and a full blast is too much even for a cyborg such as Sabu, who falls to ground.

When Aoi wakes up, he is surrounded by Galactic Patrol officers and faced by Mutsuki, who reveals herself to actually be Masatsuki, claiming revenge on Aoi for breaking his sister's heart.

Meanwhile, Mito gets fed up with attacking GP ships, and decides to go for the Dainagon itself, despite warnings from Shin and her mother that that's exactly what Ranban wants.  They set up a decoy Chunagon, then head straight into the Dainagon's line of fire.  Shots end up hitting the town below, including a direct hit on the school's courtyard.

Ranban faces the captive Aoi, greeting him with "Hisashiburi ne?" ("It's been a while, hasn't it?")  Aoi doesn't remember, so Ranban fills in the blanks: apparently Mito took him into space when he was very young once, like two or three.  Suddenly Aoi remembers his mother and the fire that he remembered back in episode three, only this time he also remembers a dark figure that doesn't look much like Ranban.  Ranban insists that this time Mito will lose everything, and contacts her just as the crew finds Sabu, still too hurt from the fall to do much.  Ranban refuses to show Aoi to Mito, but promises that he hasn't been hurt, but he will be charged for her crimes if she doesn't give herself up, and gives her some time to think about it.  Mito, of course, can't just give in, nor can she give her son up.  Sobo reminds her of Aoi's psychic powers, but they haven't been seen since episode three, so Mito doesn't believe he can make it out on his own.  Neither does Mutsuki, who has been locked in her quarters by her own brother.

Mito is bound and determined to face Ranban, but her crew, even Sabu and Shin, refuse to let her go, not even when she pulls her light saber on them.  Only by appealing to their softer side does she get them to go along with her.  Meanwhile, Mutsuki manages to crack the lock and heads for the bridge, where Aoi is being held by Ranban.  Aoi remembers that his dad told him the bracelet would give him the courage to protect himself and his mom, and makes a break for it.  He doesn't get too far before Ranban stops him with a slap, but Aoi knocks off his helmet in the process, revealing a smirking face that looks just like his mail-suited mother!